Let’s Get Out of This Country was one of the last albums I picked up based on personalized recommendations before I abandoned my paid subscription to LastFM about two years ago in favor of independent radio. I remember it was a time when I was merely starting to realize the vast unexplored territory ahead of me, thanks to bands like Camera Obscura and The Postmarks just to name a few. To this day I still regard this album as one of the first few albums that opened the door for me to new and exciting experiences.
I believe that the vintage sound of Camera Obscura has the advantage of becoming an instant nostalgic memory even if you’ve never heard it before. It’s not the only thing going on for them of course, but that being the trademark on their sound I wanted to get that out of the way first. For me it was a nice discovery in the middle of a sea of indie bands sounding pretty much the same (I was a newcomer back then and everything was pretty much the same for my uneducated ear), and even though some might argue that this kind of approach is just a gimmick I’m confident that the sound as a concept becomes secondary once you discover the real intentions and the meaning behind the music.
But beyond technicalities and sound discussions, I must confess that I wanted to talk about this album after all this time because I just love how honest and down to earth the songs are. The lyrics are never trying to drag you out of your mind and into bizarre and unknown worlds, they are actually pretty much ordinary and mundane stuff, and that honesty makes you really make an emotional connection based on your own experiences being mirrored on this enjoyable tunes. Let’s Get Out of This Country thus becomes a collection of mostly love and broken heart songs, and even though that might sound like a depressing formula to some folks, the interesting thing is that this album does that in a somewhat ironic yet surprisingly bright way… and those are some ingredients that you don’t usually see mixed every day.
And without much fanfare you end up being absorbed into this concept. The best part is that you realize you’re lost with no chance of going back once the songs start to cycle and instead of becoming something repetitive you discover you’re enjoying them even more than the last time. I have yet to discover a song that I really dislike from this album, and I’m starting to suspect that it is not going to happen, and even though a good amount of the tracks are discrete to say the least, each and every one contributes to create a solid experience. Sure, there are a few moments here and there that will caught your ear more than the rest, and yes, you can select one or two favorites and stay with them for the most part, but I’m sure you would be missing a lot if you just do that.
When you reach that moment when you believe you know this album inside out, I dare you to stop listening to it in the traditional way and start a whole new adventure by trying to discover new details and aspects you didn’t knew were there. I wouldn’t recommend that with many albums, since most of the time you just want to listen to your favorite tracks and listening the rest is an enormous sacrifice… Let’s Get Out of This Country is one of those cases where you can actually enjoy it from start to finish.