One of the earlier drafts of my review for this album included an odd comparison between Loquat and some sort of americanized version of Morcheeba. I wrote it ages ago, probably more than a year ago actually… and I discarded it immediately. It’s funny how much your impression of an album can change granted you give it enough time, and that’s pretty much what happened with It’s Yours to Keep.
It’s Yours to Keep blends pop, electronic and trip hop influences under a single package, and the end result is this trip hop / dream pop hybrid that combines the best of both worlds. I know, trip hop and dream pop are pretty much like siblings, and sometimes is difficult to tell one from the other, but think of this as a trip hop influenced dream pop album. It works better that way than the other way around, trust me.
At the beginning I was caught off guard, I honestly wasn’t expecting much of what I found here. And it was not an issue of expectations, the few tracks I’ve had listened before getting the full album were superb, but were going for a completely different attitude and tempo than the rest of tracks that were awaiting for me here. I was pretty much exposed only to the downtempo / trip hop dominant parts of their music, and wasn’t even aware of how versatile they can prove to be. It’s an awesome feeling, and certainly my intention is not to spoil this to everyone willing to listen to Loquat, I’m just trying to let anyone interested know that there’s more than a few melancholic trip hop songs here.
My surprise was even bigger when I found out that not only the music sounds good, the lyrics are awesome too. Sometimes we tend to focus too much on the execution of the idea that we forget to pay any attention to what should matter the most, and that is the idea itself. I’m still not sure if I fully get what Loquat’s music is all about (lyrically speaking), but it seems to me that there’s really a story behind most of the tracks, and even though I can’t say that I can see myself on all of them, my opinion of this album as a whole changed completely. Now these tracks seem more personal to me, and not personal in a sense of false self-appropriation, personal because I reckon they come from someone’s experiences, and to me they become just that… honest music, an honest attempt at recreate someone’s experiences through music we all can somehow relate.
Maybe all of the previous surprises made this album a little bit more difficult for me to understand, and that’s not necessarily a bad thing. Sometimes we want the experience to be as straightforward as possible, and we tend to discard those who aren’t… which in this case would have been truly a shame. I’m not suggesting that It’s Yours to Keep is a specially difficult album, it’s the complete opposite actually, it just doesn’t follow a linear path in order to deliver its cargo. And when it finally delivers it… I hope you’re ready.
I’ve noticed that I’ve grown fond of the San Francisco music scene in the past 3 or 4 years, thanks in no smaller part to the folks responsible for bringing SomaFM to the world. Loquat was one of the nicest discoveries I’ve made while exploring the always vast trip hop territory, and while not completely trip hop in nature, this album makes a very nice and subtle transition from electronic influenced pop and trip hop to a more elaborated dream pop experience.